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ACTE I (Une représentation à l Hôtel de Bourgogne. La salle de l Hôtel de Bourgogne, en 1640. Ballet sur le petit théâtre. Spectateurs dans la salle. Roxane vient de paraître dans sa loge. De Guiche et des seigneurs la suivent) LE BRET Admirez-là, Messieurs, car on ne peut rien voir de plus appétissant que Roxane, ce soir! RAGUENEAU Une pêche, et si fraîche que Guiche en lui parlant prend un rhume de coeur! CHRISTIAN Que n ai-je le bonheur de pouvoir t approcher, divine créature? Car aucune autre, je le jure... LIGNIÈRE Mais Roxane regarde avec de bien doux jeux son timide et bel amoureux. CHRISTIAN Si je pouvais vous croire! LIGNIÈRE Eh! Tentez l aventure! (Il sort en zigzaguant. Rumeurs.) LE PUBLIC Silence, les marquis! - Silence! - Écoutez la musique - et regardez la danse! Silence! Montfleury! Montfleury! - Bravo Montfleury! (Montfleury paraît en scène.) MONTFLEURY «Heureux qui loin des cours, dans un lieu solitaire. Se prescrit à soi-même un exil volontaire, Et qui, lorsque Zéphire a soufflé sur les bois... » (La voix de Cyrano s élevant au milieu du parterre.) CYRANO Coquin! Ne t ai-je pas interdit pour un mois? (Stupeur. Tout le monde se retourne. Protestations.) LE PUBLIC Hein? Quoi? LE BRET Je reconnais sa voix! RAGUENEAU Pardieu ! C est lui! LE PUBLIC Jouez donc! - Chut! RAGUENEAU C est Cyrano! LE PUBLIC Jouez donc! Jouez donc! - Chut! Assez! - Assez! (La voix de Cyrano plus menaçante.) CYRANO Sortez! LE PUBLIC Mais jouez donc!... CYRANO (surgissant du parterre, debout sur une chaise ) Ah! Je vais me fâcher! (Sensation à sa vue.) LE PUBLIC Chut!... Jouez donc! - Ne craigner donc! CYRANO Gras homme, si tu joues... je vais être obligé de te fesser les joues. LES MARQUIS À la porte! CYRANO Et vous, chers Marquis, sur vos bancs taisez vous, ou je vais bâtonner vos rubans. (Montfleury se sauve.) LE PUBLIC Oh! (Cyrano le poursuit. Tempête de rires, de sifflets et de huées.) LE PUBLIC (à Montfleury) Lâche! Lâche! Reviens!... Non!... Si!... Non!... - Qu on pende Montfleury!... Lâche !... Lâche!... Qu il rentre! Non! - À bas Cyrano! À bas! - Vivat Cyrano!... - À bas!... Vivat!... - Ah! (Cyrano revient.) Cocorico! LE VICOMTE (à Cyrano) Huer ce Montfleury, quel scandale!... Car il est protége per le Duc de Candale! Avez-vous un patron?... CYRANO Non!... LE VICOMTE Quoi?... pas un grand seigneur vous couvrant de son nom? CYRANO Non!... LE VICOMTE Hobereau qui sortez sans bouffettes, sans ganses... CYRANO Moi... C est moralement que j ai mes élégances!... LE VICOMTE Vantard!... CYRANO (avec force) Et fais, en traversant les troupes et les ronds, sonner les vérités comme des éperons!... LE VICOMTE Maraud! Faquin! Butor... CYRANO Et moi Cyrano Savinien... Hercule de Bergerac! LE VICOMTE Oh! Ce nez!... CYRANO Ay! J ai des fourmis dans mon épée... LE VICOMTE Soit! CYRANO Je vais vous donner un petit coup charmant... LE VICOMTE Poète! CYRANO Oui, Monsieur, Poète… et tellement qu à l instant même en nous battant, je vais, hop, à l improvisade vous dédier une ballade! - Ballade du duel qu en l Hôtel Bourguignon Monsieur de Bergerac eut avec un bélître! LE VICOMTE Qu est-ce que c est que ça?... CYRANO C est le titre!... LE PUBLIC Place! - Très amusant! - Rangez-vous! - Pas de bruit!... Ballade CYRANO Je jette avec grâce mon feutre, Je fais lentement l abandon Du grand manteau qui me calfeutre Et je tire mon espadon! Elégant comme Céladon, Agile comme Scaramouche, Je vous préviens, cher Myrmidon, Qu à la fin de l envoi je touche! (Premiers engagements de fer.) Vous auriez bien dû rester neutre... Où vais-je vous larder, dindon? Dans le flanc, sous votre maheutre? Au coeur, sous votre bleu cordon? Ah! Les coquilles tintent... Ding! Don! Ma pointe voltige... une mouche! Décidément c est au bedon... Qu à la fin de l envoi, je touche! Il me manque une rime en "eutre"... Vous rompez, plus blanc qu amidon! C est pour me fournir le mot "pleutre"! Tac! Je pare la pointe dont Vous espériez... me faire don. J ouvre la ligne... Je la bouche... Tiens bien ta broche, Laridon! Prince, demande à Dieu pardon. Je quarte du pied, j escarmouche... Je coupe, je finte... Hé, là, donc, À la fin de l envoi, je touche!... (Le vicomte chancelle) LE PUBLIC Bravo!... C est un héros! Vivat! Bravo! Cocorico! LE BRET (à Cyrano, lui prenant le bras) Et tout cela pour un Montfleury qui bredouille... CYRANO ... qui s est permis un certain soir de poser son regard sur celle donne je suis fou... LE BRET Qui donc est elle? Jamais tu ne m as dit... CYRANO Qui j aime? Réfléchis! Ce nez-là m interdit le rêve d être aimé même par une laide... ce nez qui d un quart d heure me précède. Alors... moi... J aime qui? (avec chaleur) He! Cela va de soi... J aime la plus belle qui soit, (Roxane se prépare à quitter la salle) la plus fine de par le monde... la plus divine... la plus blonde... LE BRET Roxane? CYRANO (voyant la duègne) Sa duègne... LA DUÈGNE (à Cyrano) De son vaillant cousin Roxane veut savoir... si l on peut... en secret le voir. CYRANO Hein?... LA DUÈGNE Pour lui dire des choses... CYRANO (chancelant) Des choses? LA DUÈGNE Demain... aux primes roses... chez Ragueneau, Faubourg Saint-Honoré. Soyez y¡ CYRANO J y serai. (Roxane et la duègne sortent. Christian les suit) CYRANO (fou de bonheur) Ah! D elle un rendez-vous! Mon Dieu! LE BRET Eh bien, tu n es plus triste? CYRANO Roxane songe a moi... Elle sait que j existe. LE BRET Cela doit t apaiser. CYRANO M apaiser? Maintenant? Mais je veux être fulminant! Il me faut une armée entière à déconfire... J ai dix coeurs... J ai vingt bras... Il ne peut me suffire de pourfendre des mains. Il me faut des géants! RAGUENEAU, LE PUBLIC Cet être est stupéfiant! (Par la porte du fond entrent plusieurs officiers qui soutiennent Lignière ivre.) LE BRET Ô Cyrano, vois cette énorme grive! CYRANO Lignière... qu est-ce qui t arrive?... Tu me parais en grand émoi! LIGNIÈRE (d une voix pâteuse) De Guiche... a stipendié cent hommes contre moi... LE PUBLIC Ah! Ah!... LIGNIÈRE ... à cause de chanson... Grand danger me menace! Porte de Nesle, où pour rentrer... faut que je passe. Permets-moi donc d aller reposer sous ton toit! CYRANO Cent homes m as-tu dit? Tu coucheras chez toi!... LIGNIÈRE Mais... CYRANO Prends cette lanterne et marche, (aux officiers) et, vous, Messieurs, ne me secondez pas... quel que soit le danger! On y est? (Les comédiens et les comédiennes se sont rapprochés et s apprêtent à former cortège.) LE PUBLIC Oh! Mais nous allons voir! CYRANO Venez! LE PUBLIC Viens-tu, Cassandre? CYRANO Venez!... Venez tous! (Le violons se joignent au cortège qui se forme. On s empare des chandelles allumées de la rampe et on se les distribue. Cela devient une retraite aux flambeaux.) Portier, ouvre la porte! (Le portier ouvre la porte. Un coin du vieux Paris lunaire paraît.) Oh! Paris fuit, nocturne et quasi nébuleux, le clair de lune coule aux pentes des toits bleus. Un cadre se prépare exquis pour cette scène... Là-bas, sous les vapeurs, en écharpe, la Seine tremble comme un mystérieux et magique miroir. Et vous allez voir... ce que vous allez voir... À la porte de Nesle! LE PUBLIC À la porte de Nesle! (Cyrano tire l épée.) CYRANO, LE PUBLIC Un! Deux! Trois! (Le cortège sort.) ACTE I (Une représentation à l Hôtel de Bourgogne. La salle de l Hôtel de Bourgogne, en 1640. Ballet sur le petit théâtre. Spectateurs dans la salle. Roxane vient de paraître dans sa loge. De Guiche et des seigneurs la suivent) LE BRET Admirez-là, Messieurs, car on ne peut rien voir de plus appétissant que Roxane, ce soir! RAGUENEAU Une pêche, et si fraîche que Guiche en lui parlant prend un rhume de coeur! CHRISTIAN Que n ai-je le bonheur de pouvoir t approcher, divine créature? Car aucune autre, je le jure... LIGNIÈRE Mais Roxane regarde avec de bien doux jeux son timide et bel amoureux. CHRISTIAN Si je pouvais vous croire! LIGNIÈRE Eh! Tentez l aventure! (Il sort en zigzaguant. Rumeurs.) LE PUBLIC Silence, les marquis! - Silence! - Écoutez la musique - et regardez la danse! Silence! Montfleury! Montfleury! - Bravo Montfleury! (Montfleury paraît en scène.) MONTFLEURY «Heureux qui loin des cours, dans un lieu solitaire. Se prescrit à soi-même un exil volontaire, Et qui, lorsque Zéphire a soufflé sur les bois... » (La voix de Cyrano s élevant au milieu du parterre.) CYRANO Coquin! Ne t ai-je pas interdit pour un mois? (Stupeur. Tout le monde se retourne. Protestations.) LE PUBLIC Hein? Quoi? LE BRET Je reconnais sa voix! RAGUENEAU Pardieu ! C est lui! LE PUBLIC Jouez donc! - Chut! RAGUENEAU C est Cyrano! LE PUBLIC Jouez donc! Jouez donc! - Chut! Assez! - Assez! (La voix de Cyrano plus menaçante.) CYRANO Sortez! LE PUBLIC Mais jouez donc!... CYRANO (surgissant du parterre, debout sur une chaise ) Ah! Je vais me fâcher! (Sensation à sa vue.) LE PUBLIC Chut!... Jouez donc! - Ne craigner donc! CYRANO Gras homme, si tu joues... je vais être obligé de te fesser les joues. LES MARQUIS À la porte! CYRANO Et vous, chers Marquis, sur vos bancs taisez vous, ou je vais bâtonner vos rubans. (Montfleury se sauve.) LE PUBLIC Oh! (Cyrano le poursuit. Tempête de rires, de sifflets et de huées.) LE PUBLIC (à Montfleury) Lâche! Lâche! Reviens!... Non!... Si!... Non!... - Qu on pende Montfleury!... Lâche !... Lâche!... Qu il rentre! Non! - À bas Cyrano! À bas! - Vivat Cyrano!... - À bas!... Vivat!... - Ah! (Cyrano revient.) Cocorico! LE VICOMTE (à Cyrano) Huer ce Montfleury, quel scandale!... Car il est protége per le Duc de Candale! Avez-vous un patron?... CYRANO Non!... LE VICOMTE Quoi?... pas un grand seigneur vous couvrant de son nom? CYRANO Non!... LE VICOMTE Hobereau qui sortez sans bouffettes, sans ganses... CYRANO Moi... C est moralement que j ai mes élégances!... LE VICOMTE Vantard!... CYRANO (avec force) Et fais, en traversant les troupes et les ronds, sonner les vérités comme des éperons!... LE VICOMTE Maraud! Faquin! Butor... CYRANO Et moi Cyrano Savinien... Hercule de Bergerac! LE VICOMTE Oh! Ce nez!... CYRANO Ay! J ai des fourmis dans mon épée... LE VICOMTE Soit! CYRANO Je vais vous donner un petit coup charmant... LE VICOMTE Poète! CYRANO Oui, Monsieur, Poète… et tellement qu à l instant même en nous battant, je vais, hop, à l improvisade vous dédier une ballade! - Ballade du duel qu en l Hôtel Bourguignon Monsieur de Bergerac eut avec un bélître! LE VICOMTE Qu est-ce que c est que ça?... CYRANO C est le titre!... LE PUBLIC Place! - Très amusant! - Rangez-vous! - Pas de bruit!... Ballade CYRANO Je jette avec grâce mon feutre, Je fais lentement l abandon Du grand manteau qui me calfeutre Et je tire mon espadon! Elégant comme Céladon, Agile comme Scaramouche, Je vous préviens, cher Myrmidon, Qu à la fin de l envoi je touche! (Premiers engagements de fer.) Vous auriez bien dû rester neutre... Où vais-je vous larder, dindon? Dans le flanc, sous votre maheutre? Au coeur, sous votre bleu cordon? Ah! Les coquilles tintent... Ding! Don! Ma pointe voltige... une mouche! Décidément c est au bedon... Qu à la fin de l envoi, je touche! Il me manque une rime en "eutre"... Vous rompez, plus blanc qu amidon! C est pour me fournir le mot "pleutre"! Tac! Je pare la pointe dont Vous espériez... me faire don. J ouvre la ligne... Je la bouche... Tiens bien ta broche, Laridon! Prince, demande à Dieu pardon. Je quarte du pied, j escarmouche... Je coupe, je finte... Hé, là, donc, À la fin de l envoi, je touche!... (Le vicomte chancelle) LE PUBLIC Bravo!... C est un héros! Vivat! Bravo! Cocorico! LE BRET (à Cyrano, lui prenant le bras) Et tout cela pour un Montfleury qui bredouille... CYRANO ... qui s est permis un certain soir de poser son regard sur celle donne je suis fou... LE BRET Qui donc est elle? Jamais tu ne m as dit... CYRANO Qui j aime? Réfléchis! Ce nez-là m interdit le rêve d être aimé même par une laide... ce nez qui d un quart d heure me précède. Alors... moi... J aime qui? (avec chaleur) He! Cela va de soi... J aime la plus belle qui soit, (Roxane se prépare à quitter la salle) la plus fine de par le monde... la plus divine... la plus blonde... LE BRET Roxane? CYRANO (voyant la duègne) Sa duègne... LA DUÈGNE (à Cyrano) De son vaillant cousin Roxane veut savoir... si l on peut... en secret le voir. CYRANO Hein?... LA DUÈGNE Pour lui dire des choses... CYRANO (chancelant) Des choses? LA DUÈGNE Demain... aux primes roses... chez Ragueneau, Faubourg Saint-Honoré. Soyez y¡ CYRANO J y serai. (Roxane et la duègne sortent. Christian les suit) CYRANO (fou de bonheur) Ah! D elle un rendez-vous! Mon Dieu! LE BRET Eh bien, tu n es plus triste? CYRANO Roxane songe a moi... Elle sait que j existe. LE BRET Cela doit t apaiser. CYRANO M apaiser? Maintenant? Mais je veux être fulminant! Il me faut une armée entière à déconfire... J ai dix coeurs... J ai vingt bras... Il ne peut me suffire de pourfendre des mains. Il me faut des géants! RAGUENEAU, LE PUBLIC Cet être est stupéfiant! (Par la porte du fond entrent plusieurs officiers qui soutiennent Lignière ivre.) LE BRET Ô Cyrano, vois cette énorme grive! CYRANO Lignière... qu est-ce qui t arrive?... Tu me parais en grand émoi! LIGNIÈRE (d une voix pâteuse) De Guiche... a stipendié cent hommes contre moi... LE PUBLIC Ah! Ah!... LIGNIÈRE ... à cause de chanson... Grand danger me menace! Porte de Nesle, où pour rentrer... faut que je passe. Permets-moi donc d aller reposer sous ton toit! CYRANO Cent homes m as-tu dit? Tu coucheras chez toi!... LIGNIÈRE Mais... CYRANO Prends cette lanterne et marche, (aux officiers) et, vous, Messieurs, ne me secondez pas... quel que soit le danger! On y est? (Les comédiens et les comédiennes se sont rapprochés et s apprêtent à former cortège.) LE PUBLIC Oh! Mais nous allons voir! CYRANO Venez! LE PUBLIC Viens-tu, Cassandre? CYRANO Venez!... Venez tous! (Le violons se joignent au cortège qui se forme. On s empare des chandelles allumées de la rampe et on se les distribue. Cela devient une retraite aux flambeaux.) Portier, ouvre la porte! (Le portier ouvre la porte. Un coin du vieux Paris lunaire paraît.) Oh! Paris fuit, nocturne et quasi nébuleux, le clair de lune coule aux pentes des toits bleus. Un cadre se prépare exquis pour cette scène... Là-bas, sous les vapeurs, en écharpe, la Seine tremble comme un mystérieux et magique miroir. Et vous allez voir... ce que vous allez voir... À la porte de Nesle! LE PUBLIC À la porte de Nesle! (Cyrano tire l épée.) CYRANO, LE PUBLIC Un! Deux! Trois! (Le cortège sort.) Alfano,Franco/Cyrano de Bergerac/II
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https://w.atwiki.jp/mainichi-matome/pages/5646.html
The story below is originally published on Mainichi Daily News by Mainichi Shinbun (http //mdn.mainichi.jp). They admitted inventing its kinky features, or rather deliberately mistranslating them from the original gossip magazine. In fact, this is far from the general Japanese behavior or sense of worth. このページは、毎日新聞事件の検証のための配信記事対訳ページです。直接ジャンプして来られた方は、必ずFAQをお読みください。 ※ この和訳はあくまでもボランティアの方々による一例であり、翻訳の正確さについては各自判断してください。もし誤訳（の疑い）を発見した場合には、直接ページを編集して訂正するか翻訳者連絡掲示板に報告してください。 Housewives lather up to erotic herbal soapHなハーブソープに夢中の主婦たち 参考資料 拡散状況 関連ページ Housewives lather up to erotic herbal soap Hなハーブソープに夢中の主婦たち 元記事（削除済み)：http //mdn.mainichi.jp/culture/waiwai/news/20050201p2g00m0dm999000c.html 0 Housewives lather up to erotic herbal soap 2005,02,02 Shukan Post 2/11 By Ryann Connell Hなハーブソープに夢中の主婦たち 2005,02,02 週刊ポスト 2/11 ライアン・コネル記 1 Thousands of Japanese OLs and housewives are stampeding to buy a suggestively shaped bar of soap said to improve their sex lives, according to Shukan Post (2/11). 数千人の日本人OLと主婦が、性生活を改善するといわれている意味深な形の石鹸を買おうとどっと押しかけている。週刊ポスト(2/11)より。 2 Jamu Herbal Stick, the herbal soap originating from Indonesia, is selling like wildfire despite its comparatively hefty price of 4,800 yen a bar, apparently because its effects on women s lustier liaisons are legendary. インドネシア産まれのハーブ石鹸・ジャムハーバルスティックが、一本あたり4800円という比較すると法外な値段にも関わらず、猛烈な勢いで売れている。どうやら女性の性的に興奮した口コミにおけるこの石鹸の効果が語り草になるほどであるためらしい。 3 "We ve been importing Jamu Herbal Sticks from Indonesia and selling them over the Internet since 2003. Sales have been particularly good recently, shifting over 1,500 cakes a month," a spokesman for Tokyo-based Natural Plants, one of many Jamu Herbal Stick importers, tells Shukan Post. "This soap was created from Jamu, a traditional Indonesian folk remedy that uses herbs. In Indonesia, they ve passed on for generations the belief that Jamu eliminates the odor from female genitals, as well as makes the vaginal muscles tighter. It s said that Indonesian princesses of olden times used to use it when they wanted to get royalty to fall in love with them." 「私たちはジャムハーバルスティックをインドネシアから輸入して、2003年からインターネット上で販売しています。売れ行きは最近とりわけよく、ひと月あたり1500個以上売れるようになりました」と、ジャムハーバルスティックを輸入しているたくさんの輸入者の一つである、東京に拠点を置くナチュラルプランツのスポークスマンは週刊ポストに語る。 「この石鹸は、ハーブを使ったインドネシア人伝統的な治療薬・ジャムから作られました。インドネシアでは、ジャムは女性の生殖器の悪臭を取り除くだけではなくヴァギナの筋肉をきつくする、という言い伝えが何世代も通じて受け継がれてきました。古（いにしえ）のインドネシアの王女が恋を確実にモノにしたい時に使っていたと言われています」 4 Jamu Herbal Sticks are, considering their intended use, conveniently shaped like a 12-centimeter long cigar, though Japan s top-selling weekly magazine says the resemblance is to a vibrator. The stick is supposed to be held firmly against the woman s nether regions for at least 15 seconds, which reportedly gives the herbs enough time to blend into the body and tone up the muscles. その意図された使用目的のために、ジャムハーバルスティックは、12センチの長いタバコのような手ごろな形をしている。だが日本で一番売れている週刊誌は、これはバイブレーターの形にそっくりだという。 このスティックは少なくとも１５秒間――それはハーブが体に浸透していって筋肉を強くするのに十分な時間であると報告されている――女性の秘所にあたるようにしっかり手に持つことになっている。 5 Incidentally, Jamu Herbal Sticks are also reportedly effective against irritable bowels, as well as improve circulation. ちなみに、報告されるところによると、ジャムハーバルスティックはまた、過敏な大腸にたいして有効で、同様に血行を良くする。 6 Japanese women who ve used the saucy soap are more than happy with its effects. このいやらしい石鹸を使った日本人女性は、その効能についてこの上なく満足している。 7 "I used some without telling my hubby and even I was shocked by the wonderful change it brought about in me," a 34-year-old housewife tells Shukan Post. "Thanks to the soap, just recently it s been like we ve become honeymooners all over again." 「私は夫に知らせずに使ってみました。そしたら私ですら、石鹸が私の中に運んできた不思議な変化にびっくりしました」と34歳の主婦は週刊ポストに語る。 「この石鹸のお陰で、つい最近はまるでまたハネムーン期間が戻ってきたみたいです」 8 Even younger women are happier, as a 21-year-old OL attests. 21歳のOLの証言によれば、若い女性もより幸せになった。 9 "Frankly speaking, sex with my boyfriend had been a little unsatisfying. But, after I started using this soap, the pleasure I got was raised to a new level," she says. "I feel closer to my boyfriend than ever before now and that s really satisfying." 「正直に言うと、彼氏とのセックスは少し不満足なものになっていました。しかし、私がこの石鹸を使うようになってから、私が得る快楽は新しい段階へと高まりました」と彼女は言う。 「私は今、以前よりも彼氏を近く感じ、そしてそのことに非常に満足しています」 10 Experts, however, are not as convinced. しかしながら専門家はそれほど納得していない。 11 "In Indonesia, jamu is used in conjunction with a variety of other herbs to concoct all manner of potions and balms. It has been created through knowledge built up over the long history of the Javanese people. It s still common to see jamu stores all over the place in Indonesian towns," Prof. Takahiro(*1)Shibuya of Fukuyama University tells Shukan Post. "I do, however, have my doubts about whether it works on women the way some people say it does." 「インドネシアでは、ジャムはいくつもの他のハーブと併用してありとあらゆる種類の薬や香油を調合するために使われます。ジャワの人々の長い歴史の中から作り上げられた知識から、ジャムは作られました。インドネシアの街のあらゆるところにジャムの店が一般的に見られます」と、福山大学の渋谷博孝（ヒロタカ）教授は週刊ポストに語る。 「ですが、ジャムが人々がいうように女性に作用するかどうか、私は非常に疑問に思っています」 12 February 1, 2005 2005年2月1日 参考資料 ナチュラルプランツ http //www.n-plants.co.jp/ ジャムハーバルスティック http //homepage3.nifty.com/nonu/sample/90030.html 渋谷博孝 http //www.fukuyama-u.ac.jp/htmls/info/pharm/staff/sibuya.html http //kaken.nii.ac.jp/d/r/50116042 拡散状況 Blogger：その他 http //queenkat.blogspot.com/2007/02/you-learn-something-new-every-day.html Japundit http //blog.japundit.com/archives/2005/02/03/81/ Asian Sex Gazzete ｈｔｔｐ //www.asiansexgazette.com/asg/japan/japan03news16.htm(*2) 関連ページ Blogger：その他 Japundit 毎日新聞英語版から配信された記事2005年 毎日新聞英語版から配信された記事一覧その2
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気を失っているの？意識がないの？ （ジークムントに顔を近づけ、聞き耳を立てる） 息はあるわ・・・ 目を閉じているだけのよう・・・ 今は疲れて寝ているけれど、本当は強い男の人みたい。 ジークムント （いきなりがばっと顔をあげる） 水！水を！ ジークリンデ 冷たい水ね。持ってくるわ。 （牛の角から造った盃を素早く手に取り、それを持って家を出て行く。戻ってくると、なみなみと満たした盃をジークムントに手渡す） 渇いた喉をうるおしてください・・・ 水よ・・・どうぞお好きなだけ。 （飲み終わったジークムントは盃をジークリンデに返す。頭を上げて感謝の気持ちを表した時、その眼は彼女の顔に次第に強く吸い寄せられていく） ジークムント 冷たい水が喉をうるおし、 疲れを取り去ってくれました。 気分がよくなって、 見る楽しみが戻ってきました。 私を癒してくれたあなたのお名前は？ ジークリンデ この屋敷も、私も、フンディングのものよ・・・。主人はあなたを客と認めるかしら？でも帰るまではここで休んでください！ ジークムント 私は丸腰なのですよ・・・ ご主人がこんな傷ついた男を拒むとでも？ ジークリンデ （心配そうに、あわてふためき） 傷ですって？早く見せて！ ジークムント （否定するように手を振り、 勢いよく上半身を起こしながら） いいえ、たいした傷ではありません・・・ まだ腕も足もしっかりついていますしね。 もし盾や槍が、せめて私の腕力の半分でも 私を守ってくれていたならば、 決して敵に背後を見せることもなかったでしょう。 ところが、盾も槍も砕けてしまった。 敵の群れは私を散々追いまわし、 激しい嵐が私を打ち砕いたのです。 ですが、敵から逃れたのと同じぐらい早く、 私の疲れは消え去りました。 まぶたには夜が覆いかぶさっていたはずなのに、 今は新たな太陽が微笑みかけているのですから。 ジークリンデ （酒蔵に行き、牛の角で造った盃を蜜酒で満たし、生き生きと親しみを込めてジークムントに手渡す） こんな泡だらけの甘酒しかありませんが、 あなたのお口に合いますでしょうか。 ジークムント まずあなたが味見していただけますか？ （ジークリンデは盃に口をつけて酒をすすり、ジークムントに手渡す。ジークムントは、ますます熱を込めてジークリンデを見つめながら、ゆっくりと酒を飲み干す。盃から口を放し、ゆっくりとその手をおろすと、ジークムントの表情は激しく心を揺さぶられたような変化を見せる。しかし彼は深いため息をつき、視線を暗く床に落とす） ジークムント （ふるえる声で） あなたが傷を治してくれた男は不幸な男・・・ その不幸を、あなたにまで近づけるわけにはいきません！ （急いで立ち去ろうとする） 私は十分休息をとりました。 もう行かねばなりません。 （舞台後方へと向かう） ジークリンデ （勢いよくジークムントに振り返って） 誰が追ってくるというの？ ジークムント （ジークリンデの叫び声にとらえられて、もう一度振り向くと、ゆっくりと陰鬱に） 不幸が追ってきます・・・どこへ逃げても。 不幸がやってきます・・・どこにいようとも・・・ ですが、あなたには不幸を近づけたくない！ 早く立ち去らねば。もうお目にかかることのないように。 （素早く扉へと走り、かんぬきを持ち上げる） ジークリンデ （我を失って、ジークムントの背中に向けて激しく呼びかける）それなら、ここにいてください！ 不幸を持ちこむことなどできません。 もともと不幸が居ついているこの家に！ （ジークムントは心に激しい衝撃を受けて立ち止まり、ジークリンデの表情から何かを読み取ろうとするが、彼女は恥じいって悲しげに目を落とす。長い沈黙の時が続く） ジークムント （舞台前方に引き返しながら） ヴェーヴァルト（悲しみの男）・・・かつて私は自らそう名乗りました。ここでフンディングをお待ちしましょう。 （かまどに寄りかかったジークムントの視線は、静かなうちにも意を決したような想いを込めてジークリンデに注がれ、ジークリンデも再びゆっくりと目を上げる。二人はずっと沈黙したまま、無上の感動にとらえられたような表情で互いに見つめ合う） 第２場 （ジークムント、ジークリンデとフンディング） （ジークリンデは突然立ち上がり耳をすますと、屋外の小屋に馬をつけるフンディングの声を聞く。彼女は正面玄関に急いで走っていき、扉を開けると、槍と盾とで武装したフンディングが広間に入ってきて、ジークムントの姿に気づくと扉のところで立ち止まる。フンディングは、厳しく問いただすような目つきで、ジークリンデを見つめる） ジークリンデ （フンディングの視線に応えるように） この人は疲れ切ってかまどの前に横たわっていました。 苦境に陥って我が家にたどりついたのですわ。 フンディング 傷を治してやったのか？ ジークリンデ 喉をうるおしてあげただけ。客としてのおもてなしをしただけです！ ジークムント （落ち着いて、しっかりとフンディングを見すえて） ひさしをお借りして、飲み物をいただきました。 それだけのことで奥様をお叱りになるのですか？ フンディング 我が家のかまどは聖なるかまど・・・ おぬしにとっても、我が家が聖なるものであるように！ （武具を外してジークリンデに手渡す。 彼女に向かって） 客と亭主に、食事の支度をしろ！ （ジークリンデは武具をトネリコの木の枝に懸けて、納屋から食べ物と飲み物を取出し、テーブルに夕食を用意する。彼女は無意識のうちに再びジークムントの顔を見る。 フンディングは、いぶかしげな鋭い視線をジークムントの顔に向けると、ジークリンデと見比べながら独り言を言う） こいつ・・・やけに、うちの奴に似ているぞ！ 目から蛇のようなものが、 ぎらぎら光っている。 （疑惑の念を押し隠し、何も気にしていないような様子でジークムントに向きなおる） なるほど、ずいぶん遠いところから来たようだな・・・ 馬に乗っていたわけでもないのに、ここで休息をとるのだから・・・いったい、どんな悪路に悩まされたのだ？ ジークムント 森と野原を越えてきましたが、 ずっと嵐と危険に追われていたので、 どの道を通ってきたのかは、わかりません。 どこに迷い込んだのかは、尚更のこと。 教えていただければ嬉しいのですが。 フンディング （テーブルにつくと、ジークムントにも椅子をすすめる） おぬしを守る屋根と家・・・ その持ち主はフンディングだ。 ここから西へ向かえば フンディングに忠誠を捧げる 一族郎党の家がたくさんある。 さあ、客人よ・・・ おぬしの名前も教えてもらえるかな？ （テーブルについたジークムントは物思いにふけるように前方をみつめる。フンディングと同時にジークムントの反対側に腰を下ろしたジークリンデは、はた目にもそれと分かる関心を示して、緊張してジークムントの様子を見つめる） フンディング （二人の様子をじっと観察しながら） このわしには教えられないというのなら、 妻には教えてもらえぬか？ どうやら聞きたくてたまらぬようだ！ ジークリンデ （気後れせずに、共感の気持ちをあふれさせて） あなたが誰なのか知りたいのです。 ジークムント （目をあげてジークリンデの眼を見つめながら、真剣に語り始める）フリートムント（平和を守る男）とは申せません。 できることならフローヴァルト（喜びの男）でありたいのに、 ヴェーヴァルト（悲しみの男）と名乗らねばならないのです。 ヴォルフェという名の父親から 私は双子として生まれました。 双子の妹と私です。 ですが、物心つかぬうちに、母と妹はいなくなりました。 生んだ母の顔も、いっしょに生まれた妹の顔も、 ほとんど覚えていないのです。 ヴォルフェは強い戦士でしたが、 敵がたくさんいました。 父は息子の私と狩りに出ましたが、 狩りの一団と別れて急いで帰ってきてみると、 ヴォルフェの家は空っぽでした。 豪華な広間は燃やされて瓦礫となり、 樫の木は切り倒されて切株となり、 母は打ち殺されて横たわり、 妹の姿は炎の中に消えていました。 これはナイディング一族の 手酷い仕業だったのです。 父は家を追われて私を連れて逃げ、 私は何年もの間、 深い森の中で父ヴォルフェと暮らしました。 森には何度も捜索の手が及びましたが、 ヴォルフェの親子は勇敢に身を守ったのです。 （フンディングに向かって） 今あなたに向かって語る私は、ヴェルフィング族。 人に「狼の一族」と呼ばれるヴェルフィングなのです。 フンディング 客人よ・・・なんという異様な話だ。 ヴェーヴァルト・・・ヴェルフィング族の男子！ 確かその強い親子について、 わしは、おそろしい噂を聞いたことがある。 ヴォルフェやヴェルフィングには会ったこともないが。 ジークリンデ お客様・・・もう少し教えてください。 あなたのお父様は今どちらにいらっしゃるのです？ ジークムント ナイディング族は大規模な捜索を森に仕掛けましたが、 彼らの多くは、狼に殺されたり、 獣に追われたりして、 森から退散しました。 私たちの敵は散り散りになったのです。 ですが、その時、私は父のもとから引き離され、 探しても探しても、父の足跡は見つかりませんでした。 ただひとつだけ、狼の毛皮を 森の中で見つけたのですが、 毛皮の下は空っぽで、父は見つかりませんでした。 そして、その後、私は森にいられなくなり、 世間の男たち女たちと知り合うことになりました。 しかし、いくら多くの人と出会っても、どこで出会っても、 友だちを作りたくても、恋人を手に入れようとしても、 いつも私はつまはじき・・・ 不幸がこの身にまとわりついていたのです。 私が正しいと考えたことが、人には悪いことに思え、 よくないと思えたことが、 人には好ましいことだったのです。 私は、この世のあらゆる場所で不和を巻き起こし、 行く先々で怒りを呼び起こし、 喜びを求めているはずなのに、悲しみしかもたらさない。 それゆえ、悲しみの男（ヴェーヴァルト）と名乗るしかなかったのです。この身は、悲しみしかもたらさないのですから。 （ジークリンデに向けて顔を上げると、 共感に満ちた眼差しに出会う） フンディング そんなにも悲惨な運命に定められたとは、よほどおぬしは、 運命の女神ノルンたちに愛されていないのだろう。 そんな男が見知らぬ客として訪れても、 誰一人歓迎するはずがないではないか。 ジークリンデ ひとりぼっちの丸腰の男を怖がるなんて、卑怯者だけですわ！ さあ、お客様、話してください。 あなたが戦いで武器さえ失ってしまったいきさつを！ ジークムント （ますます熱を込めて） ある娘が泣いて私に助けを求めました。 彼女の一族の者たちが、 愛もないのに、ある男と結婚させようとしていたのです。 私は彼女を守ろうと、強制的な結婚に逆らい、 押し寄せてくる縁者たちと戦い、 敵に勝利しました。 しかし彼女の兄弟たちは打ち殺されて、 娘の周りに横たわり、 娘は悲しみのあまり怒りを忘れるほどでした。 死の衝撃で、目から涙をほとばしらせて、 哀れな花嫁は 兄弟たちの死を嘆き悲しみました。 すると、一族の者たちが、また殺到して、 ものすごい勢いで復讐を叫び、 私の周りは敵でいっぱいになりました。 結局、娘が死をまぬがれることはできなかったのです・・・ 私はずっと槍と盾とで彼女をかばいましたが、 軍勢に囲まれて、どちらも砕けてしまいました。 私は傷を負い、武器もないまま その娘の死んでいく姿を見ていました。 荒れ狂う軍勢は私を追いかけまわし、 娘は兄弟たちの亡きがらの上にくずおれました。 （苦悩の炎を目に燃やしながら ジークリンデを見つめる） もうお分かりでしょう・・・奥様・・・ 私が「平和を守る男」（フリートムント）と名乗らないわけを！ （ジークムントは立ち上がり、かまどのほうへと歩いていく。ジークリンデは青ざめながらも、深く心を揺さぶられて床に目を落とす） フンディング （立ち上がり、きわめて重苦しい声で） わしは野蛮な一族を知っている。 他の一族にとって神聖なことが、その一族にとっては神聖でないのだ。彼らは、他のすべての者にとってと同様、わしにとっても憎むべき者たちだ。 わしは、戦の召集を受け、 一族の流した血の復讐をしに行った。 ところが、夜遅く家に帰ってみれば、 逃げてしまった無法者が、 ほかならぬ我が家で見つかるとは・・・。 （ジークムントに近づきながら） ヴェルフィングよ。今日は我が家に置いてやろう。 ここで夜を明かすがよい。 だが明日は強力な武器で身を守るがいい。 わしは明日を戦いの日と決めたのだ。 おぬしは死者の償いをせねばならぬ。 （ジークリンデは心配そうな身振りで進み出て、 二人の間に割って入る） フンディング （無愛想に） さっさと出ていけ！ぐずぐずするな！ 寝酒を用意して、 寝室でわしを待っていろ。 （ジークリンデは、意を決しかねるように物思いにふけりながら、しばし立ちすくんでいたが、やがてためらうような足取りで、ゆっくりと納屋に向かう。もう一度立ち止まると、物思いのあまり放心したように、顔を半ばそむけ、横顔だけをこちらに向けたまま立ちすくむ。だが、やがて意を決したように落ち着いて戸棚を開けると、酒杯に酒を満たし、小さな容器に入った粉薬をその中に振りかける。 そうしてからジークリンデはジークムントに目をやると、それまでずっと彼女に向けられていたジークムントの眼差しと出会うが、フンディングが様子を窺っていることに気づくと、すぐ寝室へと向かう。しかし、彼女は階段でもう一度だけ振り向くと、憧れのこもった眼差しでジークムントを見つめ、その眼差しで語りかけるように、しばらくトネリコの幹の一点を凝視する。だがフンディングが荒々しく身を起こし、激しい身振りでジークリンデを追い払うので、彼女はジークムントに最後の一瞥を与えて寝室に向かい、部屋の扉を閉める） フンディング （木の幹に懸けてあった自分の武具を取る） 男は、武器をもって戦うものだ。 （退場しながらジークムントに向かって） ヴェルフィングよ。また明日会おう。 意味が分かるな？せいぜい気をつけろということだ！ （武具を持ったまま寝室に入る。部屋の中から閂が下ろされる音が聞こえてくる） 第３場 （ジークムント、ジークリンデ） （ジークムントひとり。すっかり夜になってしまい、室内はかまどの弱い炎によって、かろうじて照らされている。ジークムントは炎の近くの寝床に腰を下ろし、心は激しく興奮しつつも、黙り込んで前方を見つめている） ジークムント 父さんが話していた剣・・・ 最大の危機に直面したときに見つかる剣。 今ぼくは丸腰で敵の家にいて、 復讐のかたに取られて、ここにとどまっている・・・。 美しく気高い女性をぼくは見た。 心は歓喜と不安におののいている。 あの女性は、ぼくの心にあこがれを呼び覚まし、 甘い魔法でぼくを引き寄せる・・・ なのに、よりによってその女性を、ぼくを無力と嘲笑うあの男が自分の意のままとしているなんて！ ヴェルゼよ！ヴェルゼ！あなたの剣はどこにあるのだ？ 強き剣。 嵐の中で振るう剣。 その剣は、ぼくの胸の中から現れないのか？ この荒れ狂う心の思いが剣とはならないのか？ （急にかまどの火がはじけ、噴き出す炎から現れるどぎつい光が、突然トネリコの幹の一点を照らし出す。前にジークリンデが目で示していたその場所に、剣のつかが刺さっているのがはっきりと見える） あそこでちらちらしている赤い光はなんだ？ トネリコの木から、どうしてあんな光が？ 目が見えない人にも届くほどの輝き・・・ 楽しく笑いかけるような眼差し・・・ ああ、なんと心を気高く燃やす光だ！ もしかしたら、これは あの花のような女性が去った時、 部屋に残していった眼差しの光だろうか？ （この時から、かまどの火は次第に弱まっていく） 夜の闇が目を覆ったとき、 あの女性の眼差しがぼくに触れ、 ぼくは、ぬくもりと光をこの手にした。 あの人の輝きは、太陽のように燦々と輝いて、 ぼくを頭上から光で満たし、 山の向こうに沈んでいった。 （一瞬、炎の残照が弱く映える） 去って行ってからも、もう一度、 あの人の光は夕映えのように輝き、 古いトネリコの木さえも 金色に燃えた。 だが、今や花はしぼみ、光は消え、 夜の闇が目を覆っている。 炎はもはや光を失い、この胸の奥に残るだけ・・・。 （炎はすっかり消えてしまい、闇夜になる。隣の部屋の扉が静かに開くと、白い服を身にまとったジークリンデが現れ、音を立てずに、急いでかまどの方へと歩み寄る） ジークリンデ お客様・・・寝ておいでですか？ ジークムント （嬉しい不意打ちに飛び起きながら） ここに来られるとは・・・どなたです？ ジークリンデ （いわくありげにあわただしく） 私です・・・聞いてください！ フンディングはぐっすり寝ています。 私が眠り薬を与えたのです。 今夜あなたが幸運を手にしますように！ ジークムント （興奮して話をさえぎる） あなたが来てくれただけで十分幸運ですよ！ ジークリンデ 武器のありかを教えます・・・ ああ、もしあなたが手に入れれば！ 最高の勇士とお呼びしますわ・・・ 最強の人にのみ与えられる武器なのですから。 さあ・・・私の言うことをよく聞いてください！ 一族の男たちが、この部屋に集まって フンディングの婚礼を祝っていました。 強盗たちが人目もはばからず贈り物とした娘を フンディングは妻としたのです。 彼らが酒盛りをしている間、私は悲しく座っていたのですが、 そのとき、見知らぬ人が入ってきました。 それは、青い衣装を身にまとった白髪の老人で、 帽子を目深にかぶって、 片目を隠していました。 ですが、残りの目の光だけでも男たち全員を不安にさせ、 恐れおののかせるのに十分でしたが、 その瞳は、なぜか私にだけは、 甘い憧れにみちた悲しみと、 涙と慰めとを同時に与えてくれるようでした。 老人は私を見つめたあと、男たちをじろりと見やると、 一振りの剣を手につかみ、 トネリコの幹に、 つかまで深く突き刺しました。 これを幹から引き抜くことができる者にこそ この剣はふさわしいのだと言い残して・・・。 しかし、並み居る男たちが、どんなに頑張っても、 誰も手に入れることはできませんでした。 男たちが何人も出たり入ったりして、 最強と自負する者たちが剣を引き抜こうとしましたが、 誰一人、報われることはありませんでした。 剣は、何事もなかったように、幹に突き刺さったままなのです・・・。ですが・・・いま私にはわかりました。 悲しんでいる私に会いにきてくれたあの人が誰だったのか。 誰のために剣を木に刺したのか。 ああ・・・私は今ここで友に会いたいのです・・・ 哀れな私のために、遠い国からやってくる友に。 そうすれば、ずっと苦しみ悩んできたことが、 辱められた心の痛みが、 すべて甘美な復讐へと変わるのです！ 失ったものを再びつかみ、 なくして泣いていたものを、この手に取り戻したいのです。 神聖な友を見つけ、 その勇士をこの手に抱きたいのです！ ジークムント （燃えるような情熱でジークリンデを抱きしめながら） その友は、今あなたを抱いていますよ・・・ 武器と妻とを与えられる友は！ あなたという素晴らしい女性を妻にしようとの誓いが 私の胸に熱く燃えています。 かつて憧れたものは、あなたの中にあり、 かつて失ったものを、あなたの中に見つけたのです！ あなたが苦しむとき 私もまた心を痛め、 私が嘲られるとき、あなたもともに傷つくのです・・・ なんと喜ばしい復讐が微笑みかけてくるのでしょう！ 私はいま聖なる歓びに満ちて高らかに笑い、 気高いあなたをこの手に抱きしめ、 あなたの胸の鼓動を感じているのです！ （大きな扉が突然バタンと開く） ジークリンデ （驚いてすくみあがり、身をもぎ離す） えっ、誰なの？誰が来たの？ （扉は広く開け放たれ、屋外には素晴らしい春の夜が広がっている。満月の光が上から射し込み、明るい光で二人を照らすと、二人は突然、互いの姿を一点の曇りもなく認め合う） ジークムント （静かに感動しながら） いいえ、誰も・・・。ですが一人だけ来た者がいます。 ご覧なさい。この部屋に射し込む春の微笑みを！ （ジークムントは、力強くやさしくジークリンデを寝床に引き寄せ、ジークリンデは彼の隣に腰をおろす。月明かりは神々しさを増していく） 冬の嵐は、 歓びの月の前に消え去った。 春はおだやかに光りかがやき、 やわらかな風に乗りながら、軽やかに愛らしく 奇蹟を織りなしながら揺れていく。 森と野原に息を吹きかけ、 まなこを見開いて笑いかける。 甘い小鳥の歌を歌い、 心地よい香りを放つ。 温かな血のぬくもりで、よろこびの花を咲かせ、 力を与えて新芽を吹かせる。 優美な力で、この世をつかさどり、 冬も嵐も、その強い力の前には消え去る。 春の一撃の前には、 ぼくらを春から引き離していた どんな頑丈な扉も開かずにはいられなかった・・・。 春は、その妹である愛のもとに舞い込みましたが、 愛こそが、春を誘ったのです・・・ ぼくたちの心の奥深くにあったものが、 いまはじめて光を浴びて微笑んでいるのです。 春という兄が、愛という妹を花嫁とし、 二人を離れ離れにしていたものは打ち砕かれました。 若者は、歓喜とともに結ばれ、 春と愛とは一つになったのです！ ジークリンデ あなたこそ春・・・私は待っていた・・・ 凍りつくような冬の間じゅうずっと。 心は聖なるおののきとともに、あなたを受け入れた・・・ あなたの瞳がはじめて私に向けられたとき。 今までは、すべてが見知らぬことばかりで、 身近には悲しいことしかなかった。 何が起こっても、 私にはわからないことだらけだった。 でも、はっきりとわかったの・・・あなたのことは。 私があなたを見つめたとき、 あなたはもう私のものだった。 心の奥深くに秘めていた私自身が 朝の陽ざしのようにまぶしく浮かび上がり・・・ ああ・・・鳴りわたる響きとなって、私の耳に届いたの。 見知らぬものばかりの凍てつく荒野で、 私がはじめて友を見い出したとき。 （ジークリンデは我を失ったようにジークムントの首に腕を巻きつけ、近くから彼の顔を見つめる） ジークムント （心を奪われたように） ああ・・・甘い歓び！ すばらしいひと！ ジークリンデ （まじかにジークムントの目を見つめる） ああ・・・もっと近くに行かせて・・・ 気高い光をはっきり見たいの・・・ あなたの顔と瞳から現れ出る 五感を甘く酔わせる光を。 ジークムント 春の月光を浴びて輝きながら あなたの髪は気高く波打っている。 私を惹きつけるものの正体が今はっきりとしました。 私は、美を目の前にする歓びに浸っているのですから。 ジークリンデ （ジークムントの額から髪をかきあげ、驚きを込めて彼の顔をしげしげと見つめる） あなたの額はなんと広く、 いくつもの血管がこめかみに集まっていることでしょう！ 歓びのあまり、ふるえがとまらない！ 奇蹟のような声が私の記憶を呼び起こす・・・ 今日はじめて目にしたはずのこの人は、 もうすでに会ったことのある人だ･･･と！ ジークムント 私にも、愛の夢が思い起こさせるのです・・・ 熱い憧れとともに、かつて私があなたの姿を見ていたことを！ ジークリンデ いつか小川に映した自分の姿・・・ それを今また見ています。 そのとき川面に浮かび上がった私自身の姿・・・ それが今目の前にいるあなたなのです！ ジークムント あなたこそ 私が胸に秘めていた姿。 ジークリンデ （急いで視線をそらしながら） ねえ、静かに！声を聞かせて・・・ まるで、子供の頃に 聞いたような響きだわ。 （いらだって） いいえ、そんなはずは！このまえ聞いただけだわ・・・ 私の声が 森にこだましたあのとき・・・ ジークムント ああ・・・なんと美しい音・・・ 私がいま聞いている声！ ジークリンデ （再びジークムントの瞳をのぞきこんで） あなたの目に燃える炎を見るのも初めてじゃないわ・・・ これは、あの老人が私を親しげに見つめ、 悲しんでいた私を慰めてくれた時に見た眼差し。 そのおかげで、私はあの老人の子だと気付いた・・・。 もう少しで名前で呼びかけそうなところだった！ （ジークリンデはいったん話をやめ、そのあと小声で続ける） あなたの名前は本当にヴェーヴァルトなの？ ジークムント あなたの愛をうけたからには、もうそうは名乗りません・・・ 私はいま最高の歓びを手にしているのですから！ ジークリンデ ですがフリートムントと 名乗ることもできないのでしょう？ ジークムント あなたが好きな名をつけてくれれば、私はそう名乗りましょう。あなたに名付けてもらいたいのです！ ジークリンデ たしか、お父様の名はヴォルフェでしたね？ ジークムント 臆病なキツネどもにとってはオオカミ（ヴォルフ）だったでしょう！ですが、その目の輝きは、オオカミではなく、 あなたという素晴らしい女性の目と同じでした。 父の本当の名・・・それはヴェルゼです。 ジークリンデ （我を失って） ヴェルゼがあなたの父親で、あなたがヴェルズング族ならば、 あの老人は、まさにあなたのために、木に剣を刺したのです。 私の愛の証として、私にあなたの名を付けさせてください・・・ジークムント・・・私はあなたをそう名付けます！ ジークムント （木の幹におどりかかって、剣のつかをつかむ） 我が名はジークムント！ジークムントこそ私！ 剣よ、証人となれ！ひるまずに、お前をこの手にするのは私だ！かつてヴェルゼは言った。最大の危機に陥ったとき、 お前は剣を手に入れるだろう・・・と。今こそその時だ！ 神聖なる愛の最大の危機（ノート）・・・ 危機は、愛の憧れを私の心にかきたて、 あかあかと胸に燃え広がりながら、 行動するのだ、死ぬのだと、私に迫ってくる・・・ ノートゥング！ノートゥング！これがお前の名だ、剣よ・・・ ノートゥング！ノートゥング！誰もがうらやむ剣よ！ 切っ先鋭い刃を見せよ！ 鞘から姿を現すのだ！ （恐ろしい力で一息に剣を幹から引き抜くと、驚きと歓喜のうちにあるジークリンデに、その剣を見せる） さあ、ヴェルズング族のジークムントをご覧ください！ この剣を婚礼の贈り物とし、 我が妻に選んだ最高の女性であるあなたを 敵の家から奪い去るのは、 このジークムントなのです。 私とともに、ここから遠く離れた場所に行きましょう。 春が微笑む屋敷に行きましょう・・・ そこでは、ノートゥングがあなたを守ります。 ジークムントがあなたへの愛に生きる限り！ （ジークリンデを抱きしめ、手を取ってその場を立ち去ろうとする） ジークリンデ （最高の陶酔に浸りながらも、ジークムントから身を離し、彼と真正面から向き合う） 私の目の前にいるあなたがジークムントなら、 あなたを求める私はジークリンデ・・・ あなたは、実の妹と 剣とを一挙に手に入れたのです！ ジークムント あなたは妻にして妹・・・私は兄・・・ 栄えよ！ヴェルズング族の血よ！ （ジークムントは狂おしいばかりの情熱でジークリンデを抱き、彼女は大きく声を上げて彼の胸に顔を沈める。幕が素早く下りる） ERSTER AUFZUG VORSPIEL UND ERSTE SZENE Siegmund, Sieglinde Das Innere eines Wohnraumes. In der Mitte steht der Stamm einer mächtigen Esche, dessen stark erhabene Wurzeln sich weithin in den Erdboden verlieren; von seinem Wipfel ist der Baum durch ein gezimmertes Dach geschieden, welches so durchschnitten ist, dass der Stamm und die nach allen Seiten hin sich ausstreckenden Äste durch genau entsprechende Öffnungen hindurchgehen; von dem belaubten Wipfel wird angenommen, dass er sich über dieses Dach ausbreite. Um den Eschenstamm, als Mittelpunkt, ist nun ein Saal gezimmert; die Wände sind aus roh behauenem Holzwerk, hier und da mit geflochtenen und gewebten Decken behangen. Rechts im Vordergrunde steht der Herd, dessen Rauchfang seitwärts zum Dache hinausführt hinter dem Herde befindet sich ein innerer Raum, gleich einem Vorratsspeicher, zu dem man auf einigen hölzernen Stufen hinaufsteigt davor hängt, halb zurückgeschlagen, eine geflochtene Decke. Im Hintergrunde eine Eingangstür mit schlichtem Holzriegel. Links die Tür zu einem inneren Gemache, zu dem gleichfalls Stufen hinaufführen; weiter vornen auf derselben Seite ein Tisch mit einer breiten, an der Wand angezimmerten Bank dahinter und hölzernen Schemeln davor Ein kurzes Orchestervorspiel von heftiger, stürmischer Bewegung leitet ein. Als der Vorhang aufgeht, öffnet Siegmund von aussen hastig die Eingangstür und tritt ein es ist gegen Abend, starkes Gewitter, im Begriff, sich zu legen. Siegmund hält einen Augenblick den Riegel in der Hand und überblickt den Wohnraum er scheint von übermässiger Anstrengung erschöpft; sein Gewand und Aussehen zeigen, dass er sich auf der Flucht befinde. Da er niemand gewahrt, schliesst er die Tür hinter sich, schreitet auf den Herd zu und wirft sich dort ermattet auf eine Decke von Bärenfell SIEGMUND Wes Herd dies auch sei, hier muss ich rasten. Er sinkt zurück und bleibt einige Zeit regungslos ausgestreckt. Sieglinde tritt aus der Tür des inneren Gemaches; sie glaubte ihren Mann heimgekehrt ihre ernste Miene zeigt sich dann verwundert, als sie einen Fremden am Herde ausgestreckt sieht SIEGLINDE noch im Hintergrunde Ein fremder Mann? Ihn muss ich fragen. Sie tritt ruhig einige Schritte näher Wer kam ins Haus und liegt dort am Herd? Da Siegmund sich nicht regt, tritt sie noch etwas näher und betrachtet ihn Müde liegt er, von Weges Müh n. Schwanden die Sinne ihm? Wäre er siech? Sie neigt sich zu ihm herab und lauscht Noch schwillt ihm der Atem; das Auge nur schloss er. - Mutig dünkt mich der Mann, sank er müd auch hin. SIEGMUND fährt jäh mit dem Haupt in die Höhe Ein Quell! Ein Quell! SIEGLINDE Erquickung schaff ich. Sie nimmt schnell ein Trinkhorn und geht damit aus dem Hause. Sie kommt zurück und reicht das gefüllte Trinkhorn Siegmund Labung biet ich dem lechzenden Gaumen Wasser, wie du gewollt. Siegmund trinkt und reicht ihr das Horn zurück. Als er ihr mit dem Haupte Dank zuwinkt, haftet sein Blick mit steigender Teilnahme an ihren Mienen SIEGMUND Kühlende Labung gab mir der Quell, des Müden Last machte er leicht erfrischt ist der Mut, das Aug erfreut des Sehens selige Lust. Wer ist s, der so mir es labt? SIEGLINDE Dies Haus und dies Weib sind Hundings Eigen; gastlich gönn er dir Rast harre, bis heim er kehrt! SIEGMUND Waffenlos bin ich dem wunden Gast wird dein Gatte nicht wehren. SIEGLINDE mit besorgter Hast Die Wunden weise mir schnell! SIEGMUND schüttelt sich und springt lebhaft vom Lager zum Sitz auf Gering sind sie, der Rede nicht wert; noch fügen des Leibes Glieder sich fest. Hätten halb so stark wie mein Arm Schild und Speer mir gehalten, nimmer floh ich dem Feind, doch zerschellten mir Speer und Schild. Der Feinde Meute hetzte mich müd , Gewitterbrunst brach meinen Leib; doch schneller, als ich der Meute, schwand die Müdigkeit mir sank auf die Lider mir Nacht; die Sonne lacht mir nun neu. SIEGLINDE geht nach dem Speicher, füllt ein Horn mit Met und reicht es Siegmund mit freundlicher Bewegtheit Des seimigen Metes süssen Trank mög st du mir nicht verschmähn. SIEGMUND Schmecktest du mir ihn zu? Sieglinde nippt am Horne und reicht es ihm wieder. Siegmund tut einen langen Zug, indem er den Blick mit wachsender Wärme auf sie heftet. Er setzt so das Horn ab und lässt es langsam sinken, während der Ausdruck seiner Miene in starke Ergriffenheit übergeht. Er seufzt tief auf und senkt den Blick düster zu Boden SIEGMUND mit bebender Stimme Einen Unseligen labtest du Unheil wende der Wunsch von dir! Er bricht schnell auf, um fortzugehen Gerastet hab ich und süss geruht. Weiter wend ich den Schritt. er geht nach hinten SIEGLINDE lebhaft sich umwendend Wer verfolgt dich, dass du schon fliehst? SIEGMUND von ihrem Rufe gefesselt, wendet sich wieder; langsam und düster Misswende folgt mir, wohin ich fliehe; Misswende naht mir, wo ich mich neige. - Dir, Frau, doch bleibe sie fern! Fort wend ich Fuss und Blick. Er schreitet schnell bis zur Tür und hebt den Riegel SIEGLINDE in heftigem Selbstvergessen ihm nachrufend So bleibe hier! Nicht bringst du Unheil dahin, wo Unheil im Hause wohnt! Siegmund bleibt tief erschüttert stehen; er forscht in Sieglindes Mienen; diese schlägt verschämt und traurig die Augen nieder. Langes Schweigen SIEGMUND kehrt zurück Wehwalt hiess ich mich selbst Hunding will ich erwarten. Er lehnt sich an den Herd; sein Blick haftet mit ruhiger und entschlossener Teilnahme an Sieglinde; diese hebt langsam das Auge wieder zu ihm auf. Beide blicken sich in langem Schweigen mit dem Ausdruck tiefster Ergriffenheit in die Augen ZWEITE SZENE Die Vorigen, Hunding Sieglinde fährt plötzlich auf, lauscht und hört Hunding, der sein Ross aussen zum Stall führt. Sie geht hastig zur Tür und öffnet; Hunding, gewaffnet mit Schild und Speer, tritt ein und hält unter der Tür, als er Siegmund gewahrt. Hunding wendet sich mit einem ernst fragenden Blick an Sieglinde SIEGLINDE dem Blicke Hundings entgegnend Müd am Herd fand ich den Mann Not führt ihn ins Haus. HUNDING Du labtest ihn? SIEGLINDE Den Gaumen letzt ich ihm, gastlich sorgt ich sein! SIEGMUND der ruhig und fest Hunding beobachtet Dach und Trank dank ich ihr willst du dein Weib drum schelten? HUNDING Heilig ist mein Herd - heilig sei dir mein Haus! er legt seine Waffen ab und übergibt sie Sieglinde. Zu Sieglinde Rüst uns Männern das Mahl! Sieglinde hängt die Waffen an Ästen des Eschenstammes auf, dann holt sie Speise und Trank aus dem Speicher und rüstet auf dem Tische das Nachtmahl. Unwillkürlich heftet sie wieder den Blick auf Siegmund. Hunding misst scharf und verwundert Siegmunds Züge, die er mit denen seiner Frau vergleicht; für sich Wie gleicht er dem Weibe! Der gleissende Wurm glänzt auch ihm aus dem Auge. er birgt sein Befremden und wendet sich wie unbefangen zu Siegmund Weit her, traun, kamst du des Wegs; ein Ross nicht ritt, der Rast hier fand welch schlimme Pfade schufen dir Pein? SIEGMUND Durch Wald und Wiese, Heide und Hain, jagte mich Sturm und starke Not nicht kenn ich den Weg, den ich kam. Wohin ich irrte, weiss ich noch minder Kunde gewänn ich des gern. HUNDING am Tische und Siegmund den Sitz bietend Des Dach dich deckt, des Haus dich hegt, Hunding heisst der Wirt; wendest von hier du nach West den Schritt, in Höfen reich hausen dort Sippen, die Hundings Ehre behüten. Gönnt mir Ehre mein Gast, wird sein Name nun mir gennant. Siegmund, der sich am Tisch niedergesetzt, blickt nachdenklich vor sich hin. Sieglinde, die sich neben Hunding, Siegmund gegenüber, gesetzt, heftet ihr Auge mit auffallender Teilnahme und Spannung auf diesen HUNDING der beide beobachtet Trägst du Sorge, mir zu vertraun, der Frau hier gib doch Kunde sieh, wie gierig sie dich frägt! SIEGLINDE unbefangen und teilnahmsvoll Gast, wer du bist, wüsst ich gern. SIEGMUND blickt auf, sieht ihr in das Auge und beginnt ernst Friedmund darf ich nicht heissen; Frohwalt möcht ich wohl sein doch Wehwalt musst ich mich nennen. Wolfe, der war mein Vater; zu zwei kam ich zur Welt, eine Zwillingsschwester und ich. Früh schwanden mir Mutter und Maid. Die mich gebar und die mit mir sie barg, kaum hab ich je sie gekannt. Wehrlich und stark war Wolfe; der Feinde wuchsen ihm viel. Zum Jagen zog mit dem Jungen der Alte Von Hetze und Harst einst kehrten wir heim da lag das Wolfsnest leer. Zu Schutt gebrannt der prangende Saal, zum Stumpf der Eiche blühender Stamm; erschlagen der Mutter mutiger Leib, verschwunden in Gluten der Schwester Spur uns schuf die herbe Not der Neidinge harte Schar. Geächtet floh der Alte mit mir; lange Jahre lebte der Junge mit Wolfe im wilden Wald manche Jagd ward auf sie gemacht; doch mutig wehrte das Wolfspaar sich. zu Hunding gewandt Ein Wölfing kündet dir das, den als "Wölfing" mancher wohl kennt. HUNDING Wunder und wilde Märe kündest du, kühner Gast, Wehwalt - der Wölfing! Mich dünkt, von dem wehrlichen Paar vernahm ich dunkle Sage, kannt ich auch Wolfe und Wölfing nicht. SIEGLINDE Doch weiter künde, Fremder wo weilt dein Vater jetzt? SIEGMUND Ein starkes Jagen auf uns stellten die Neidinge an der Jäger viele fielen den Wölfen, in Flucht durch den Wald trieb sie das Wild. Wie Spreu zerstob uns der Feind. Doch ward ich vom Vater versprengt; seine Spur verlor ich, je länger ich forschte eines Wolfes Fell nur traf ich im Forst; leer lag das vor mir, den Vater fand ich nicht. Aus dem Wald trieb es mich fort; mich drängt es zu Männern und Frauen. Wieviel ich traf, wo ich sie fand, ob ich um Freund , um Frauen warb, immer doch war ich geächtet Unheil lag auf mir. Was Rechtes je ich riet, andern dünkte es arg, was schlimm immer mir schien, andre gaben ihm Gunst. In Fehde fiel ich, wo ich mich fand, Zorn traf mich, wohin ich zog; gehrt ich nach Wonne, weckt ich nur Weh drum musst ich mich Wehwalt nennen; des Wehes waltet ich nur. Er sieht zu Sieglinde auf und gewahrt ihren teilnehmenden Blick HUNDING Die so leidig Los dir beschied, nicht liebte dich die Norn froh nicht grüsst dich der Mann, dem fremd als Gast du nahst. SIEGLINDE Feige nur fürchten den, der waffenlos einsam fährt! - Künde noch, Gast, wie du im Kampf zuletzt die Waffe verlorst! SIEGMUND immer lebhafter Ein trauriges Kind rief mich zum Trutz vermählen wollte der Magen Sippe dem Mann ohne Minne die Maid. Wider den Zwang zog ich zum Schutz, der Dränger Tross traf ich im Kampf dem Sieger sank der Feind. Erschlagen lagen die Brüder die Leichen umschlang da die Maid, den Grimm verjagt ihr der Gram. Mit wilder Tränen Flut betroff sie weinend die Wal um des Mordes der eignen Brüder klagte die unsel ge Braut. Der Erschlagnen Sippen stürmten daher; übermächtig ächzten nach Rache sie; rings um die Stätte ragten mir Feinde. Doch von der Wal wich nicht die Maid; mit Schild und Speer schirmt ich sie lang , bis Speer und Schild im Harst mir zerhaun. Wund und waffenlos stand ich - sterben sah ich die Maid mich hetzte das wütende Heer - auf den Leichen lag sie tot. mit einem Blicke voll schmerzlichen Feuers auf Sieglinde Nun weisst du, fragende Frau, warum ich Friedmund nicht heisse! Er steht auf und schreitet auf den Herd zu. Sieglinde blickt erbleichend und tief erschüttert zu Boden HUNDING erhebt sich, sehr finster Ich weiss ein wildes Geschlecht, nicht heilig ist ihm, was andern hehr verhasst ist es allen und mir. Zur Rache ward ich gerufen, Sühne zu nehmen für Sippenblut zu spät kam ich, und kehrte nun heim, des flücht gen Frevlers Spur im eignen Haus zu erspähn. - Er geht herab Mein Haus hütet, Wölfing, dich heut ; für die Nacht nahm ich dich auf; mit starker Waffe doch wehre dich morgen; zum Kampfe kies ich den Tag für Tote zahlst du mir Zoll. Sieglinde schreitet mit besorgter Gebärde zwischen die beiden Männer vor HUNDING barsch Fort aus dem Saal! Säume hier nicht! Den Nachttrunk rüste mir drin und harre mein zur Ruh . Sieglinde steht eine Weile unentschieden und sinnend. Sie wendet sich langsam und zögernden Schrittes nach dem Speicher. Dort hält sie wieder an und bleibt, in Sinnen verloren, mit halb abgewandtem Gesicht stehen. Mit ruhigem Entschluss öffnet sie den Schrein, füllt ein Trinkhorn und schüttet aus einer Büchse Würze hinein. Dann wendet sie das Auge auf Siegmund, um seinem Blicke zu begegnen, den dieser fortwährend auf sie heftet. Sie gewahrt Hundings Spähen und wendet sich sogleich zum Schlafgemach. Auf den Stufen kehrt sie sich noch einmal um, heftet das Auge sehnsuchtsvoll auf Siegmund und deutet mit dem Blicke andauernd und mit sprechender Bestimmtheit auf eine Stelle am Eschenstamme. Hunding fährt auf und treibt sie mit einer heftigen Gebärde zum Fortgehen an. Mit einem letzten Blick auf Siegmund geht sie in das Schlafgemach und schliesst hinter sich die Türe HUNDING nimmt seine Waffen vom Stamme herab Mit Waffen wehrt sich der Mann. Im Abgehen sich zu Siegmund wendend Dich Wölfing treffe ich morgen; mein Wort hörtest du, hüte dich wohl! Er geht mit den Waffen in das Gemach; man hört ihn von innen den Riegel schliessen DRITTE SZENE Siegmund, Sieglinde Siegmund allein. Es ist vollständig Nacht geworden; der Saal ist nur noch von einem schwachen Feuer im Herde erhellt. Siegmund lässt sich, nah beim Feuer, auf dem Lager nieder und brütet in grosser innerer Aufregung eine Zeitlang schweigend vor sich hin SIEGMUND Ein Schwert verhiess mir der Vater, ich fänd es in höchster Not. Waffenlos fiel ich in Feindes Haus; seiner Rache Pfand, raste ich hier - ein Weib sah ich, wonnig und hehr entzückend Bangen zehrt mein Herz. Zu der mich nun Sehnsucht zieht, die mit süssem Zauber mich sehrt, im Zwange hält sie der Mann, der mich Wehrlosen höhnt! Wälse! Wälse! Wo ist dein Schwert? Das starke Schwert, das im Sturm ich schwänge, bricht mir hervor aus der Brust, was wütend das Herz noch hegt? Das Feuer bricht zusammen; es fällt aus der aufsprühenden Glut plötzlich ein greller Schein auf die Stelle des Eschenstammes, welche Sieglindes Blick bezeichnet hatte und an der man jetzt deutlich einen Schwertgriff haften sieht Was gleisst dort hell im Glimmerschein? Welch ein Strahl bricht aus der Esche Stamm? Des Blinden Auge leuchtet ein Blitz lustig lacht da der Blick. Wie der Schein so hehr das Herz mir sengt! Ist es der Blick der blühenden Frau, den dort haftend sie hinter sich liess, als aus dem Saal sie schied? von hier an verglimmt das Herdfeuer allmählich Nächtiges Dunkel deckte mein Aug , ihres Blickes Strahl streifte mich da Wärme gewann ich und Tag. Selig schien mir der Sonne Licht; den Scheitel umgliss mir ihr wonniger Glanz - bis hinter Bergen sie sank. Ein neuer schwacher Aufschein des Feuers Noch einmal, da sie schied, traf mich abends ihr Schein; selbst der alten Esche Stamm erglänzte in goldner Glut da bleicht die Blüte, das Licht verlischt; nächtiges Dunkel deckt mir das Auge tief in des Busens Berge glimmt nur noch lichtlose Glut. Das Feuer ist gänzlich verloschen volle Nacht. Das Seitengemach öffnet sich leise Sieglinde, in weissem Gewande, tritt heraus und schreitet leise, doch rasch, auf den Herd zu SIEGLINDE Schläfst du, Gast? SIEGMUND freudig überrascht aufspringend Wer schleicht daher? SIEGLINDE mit geheimnisvoller Hast Ich bin s höre mich an! In tiefem Schlaf liegt Hunding; ich würzt ihm betäubenden Trank nütze die Nacht dir zum Heil! SIEGMUND hitzig unterbrechend Heil macht mich dein Nah n! SIEGLINDE Eine Waffe lass mich dir weisen o wenn du sie gewännst! Den hehrsten Helden dürft ich dich heissen dem Stärksten allein ward sie bestimmt. O merke wohl, was ich dir melde! Der Männer Sippe sass hier im Saal, von Hunding zur Hochzeit geladen er freite ein Weib, das ungefragt Schächer ihm schenkten zur Frau. Traurig sass ich, während sie tranken; ein Fremder trat da herein ein Greis in blauem Gewand; tief hing ihm der Hut, der deckt ihm der Augen eines; doch des andren Strahl, Angst schuf es allen, traf die Männer sein mächtiges Dräu n mir allein weckte das Auge süss sehnenden Harm, Tränen und Trost zugleich. Auf mich blickt er und blitzte auf jene, als ein Schwert in Händen er schwang; das stiess er nun in der Esche Stamm, bis zum Heft haftet es drin dem sollte der Stahl geziemen, der aus dem Stamm es zög . Der Männer alle, so kühn sie sich mühten, die Wehr sich keiner gewann; Gäste kamen und Gäste gingen, die stärksten zogen am Stahl - keinen Zoll entwich er dem Stamm dort haftet schweigend das Schwert. - Da wusst ich, wer der war, der mich Gramvolle gegrüsst; ich weiss auch, wem allein im Stamm das Schwert er bestimmt. O fänd ich ihn hier und heut , den Freund; käm er aus Fremden zur ärmsten Frau. Was je ich gelitten in grimmigem Leid, was je mich geschmerzt in Schande und Schmach, - süsseste Rache sühnte dann alles! Erjagt hätt ich, was je ich verlor, was je ich beweint, wär mir gewonnen, fänd ich den heiligen Freund, umfing den Helden mein Arm! SIEGMUND mit Glut Sieglinde umfassend Dich selige Frau hält nun der Freund, dem Waffe und Weib bestimmt! Heiss in der Brust brennt mir der Eid, der mich dir Edlen vermählt. Was je ich ersehnt, ersah ich in dir; in dir fand ich, was je mir gefehlt! Littest du Schmach, und schmerzte mich Leid; war ich geächtet, und warst du entehrt freudige Rache lacht nun den Frohen! Auf lach ich in heiliger Lust, halt ich dich Hehre umfangen, fühl ich dein schlagendes Herz! Die grosse Türe springt auf SIEGLINDE fährt erschrocken zusammen und reisst sich los Ha, wer ging? Wer kam herein? Die Tür bleibt weit geöffnet aussen herrliche Frühlingsnacht; der Vollmond leuchtet herein und wirft sein helles Licht auf das Paar, das so sich plötzlich in voller Deutlichkeit wahrnehmen kann SIEGMUND in leiser Entzückung Keiner ging - doch einer kam siehe, der Lenz lacht in den Saal! Siegmund zieht Sieglinde mit sanfter Gewalt zu sich auf das Lager, so dass sie neben ihm zu sitzen kommt, Wachsende Helligkeit des Mondscheines Winterstürme wichen dem Wonnemond, in mildem Lichte leuchtet der Lenz; auf linden Lüften leicht und lieblich, Wunder webend er sich wiegt; durch Wald und Auen weht sein Atem, weit geöffnet lacht sein Aug - aus sel ger Vöglein Sange süss er tönt, holde Düfte haucht er aus; seinem warmen Blut entblühen wonnige Blumen, Keim und Spross entspringt seiner Kraft. Mit zarter Waffen Zier bezwingt er die Welt; Winter und Sturm wichen der starken Wehr wohl musste den tapfern Streichen die strenge Türe auch weichen, die trotzig und starr uns trennte von ihm. - Zu seiner Schwester schwang er sich her; die Liebe lockte den Lenz in unsrem Busen barg sie sich tief; nun lacht sie selig dem Licht. Die bräutliche Schwester befreite der Bruder; zertrümmert liegt, was je sie getrennt jauchzend grüsst sich das junge Paar vereint sind Liebe und Lenz! SIEGLINDE Du bist der Lenz, nach dem ich verlangte in frostigen Winters Frist. Dich grüsste mein Herz mit heiligem Grau n, als dein Blick zuerst mir erblühte. Fremdes nur sah ich von je, freudlos war mir das Nahe. Als hätt ich nie es gekannt, war, was immer mir kam. Doch dich kannt ich deutlich und klar als mein Auge dich sah, warst du mein Eigen; was im Busen ich barg, was ich bin, hell wie der Tag taucht es mir auf, o wie tönender Schall schlug s an mein Ohr, als in frostig öder Fremde zuerst ich den Freund ersah. Sie hängt sich entzückt an seinen Hals und blickt ihm nahe ins Gesicht SIEGMUND mit Hingerissenheit O süsseste Wonne! O seligstes Weib! SIEGLINDE dicht an seinen Augen O lass in Nähe zu dir mich neigen, dass hell ich schaue den hehren Schein, der dir aus Aug und Antlitz bricht und so süss die Sinne mir zwingt. SIEGMUND Im Lenzesmond leuchtest du hell; hehr umwebt dich das Wellenhaar was mich berückt, errat ich nun leicht, denn wonnig weidet mein Blick. SIEGLINDE schlägt ihm die Locken von der Stirn zurück und betrachtet ihn staunend Wie dir die Stirn so offen steht, der Adern Geäst in den Schläfen sich schlingt! Mir zagt es vor der Wonne, die mich entzückt! Ein Wunder will mich gemahnen den heut zuerst ich erschaut, mein Auge sah dich schon! SIEGMUND Ein Minnetraum gemahnt auch mich in heissem Sehnen sah ich dich schon! SIEGLINDE Im Bach erblickt ich mein eigen Bild - und jetzt gewahr ich es wieder wie einst dem Teich es enttaucht, bietest mein Bild mir nun du! SIEGMUND Du bist das Bild, das ich in mir barg. SIEGLINDE den Blick schnell abwendend O still! Lass mich der Stimme lauschen mich dünkt, ihren Klang hört ich als Kind. aufgeregt Doch nein! Ich hörte sie neulich, als meiner Stimme Schall mir widerhallte der Wald. SIEGMUND O lieblichste Laute, denen ich lausche! SIEGLINDE ihm wieder in die Augen spähend Deines Auges Glut erglänzte mir schon so blickte der Greis grüssend auf mich, als der Traurigen Trost er gab. An dem Blick erkannt ihn sein Kind - schon wollt ich beim Namen ihn nennen! Sie hält inne und fährt dann leise fort Wehwalt heisst du fürwahr? SIEGMUND Nicht heiss ich so, seit du mich liebst nun walt ich der hehrsten Wonnen! SIEGLINDE Und Friedmund darfst du froh dich nicht nennen? SIEGMUND Nenne mich du, wie du liebst, dass ich heisse den Namen nehm ich von dir! SIEGLINDE Doch nanntest du Wolfe den Vater? SIEGMUND Ein Wolf war er feigen Füchsen! Doch dem so stolz strahlte das Auge, wie, Herrliche, hehr dir es strahlt, der war - Wälse genannt. SIEGLINDE ausser sich War Wälse dein Vater, und bist du ein Wälsung, stiess er für dich sein Schwert in den Stamm, so lass mich dich heissen, wie ich dich liebe Siegmund - so nenn ich dich! SIEGMUND springt auf den Stamm zu und fasst den Schwertgriff Siegmund heiss ich und Siegmund bin ich! Bezeug es dies Schwert, das zaglos ich halte! Wälse verhiess mir, in höchster Not fänd ich es einst ich fass es nun! Heiligster Minne höchste Not, sehnender Liebe sehrende Not brennt mir hell in der Brust, drängt zu Tat und Tod Notung! Notung! So nenn ich dich, Schwert - Notung! Notung! Neidlicher Stahl! Zeig deiner Schärfe schneidenden Zahn heraus aus der Scheide zu mir! Er zieht mit einem gewaltigen Zuck das Schwert aus dem Stamme und zeigt es der von Staunen und Entzücken erfassten Sieglinde Siegmund, den Wälsung, siehst du, Weib! Als Brautgabe bringt er dies Schwert so freit er sich die seligste Frau; dem Feindeshaus entführt er dich so. Fern von hier folge mir nun, fort in des Lenzes lachendes Haus dort schützt dich Notung, das Schwert, wenn Siegmund dir liebend erlag! Er hat sie umfasst, um sie mit sich fortzuziehen SIEGLINDE reisst sich in höchster Trunkenheit von ihm los und stellt sich ihm gegenüber Bist du Siegmund, den ich hier sehe, Sieglinde bin ich, die dich ersehnt die eigne Schwester gewannst du zu eins mit dem Schwert! SIEGMUND Braut und Schwester bist du dem Bruder - so blühe denn, Wälsungen-Blut! Er zieht sie mit wütender Glut an sich; sie sinkt mit einem Schrei an seine Brust. Der Vorhang fällt schnell この日本語テキストは、 クリエイティブ・コモンズ・ライセンス の下でライセンスされています。@wagnerianchan Wagner,Richard/Die Walküre/II+
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【登録タグ 66 -SIXTY SIX- C-CLAYS P 小峠 舞 曲 狂気の瞳 ～ Invisible Full Moon】 【注意】 現在、このページはJavaScriptの利用が一時制限されています。この表示状態ではトラック情報が正しく表示されません。 この問題は、以下のいずれかが原因となっています。 ページがAMP表示となっている ウィキ内検索からページを表示している これを解決するには、こちらをクリックし、ページを通常表示にしてください。 /** General styling **/ @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight 350; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/10/NotoSansCJKjp-DemiLight.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/9/NotoSansCJKjp-DemiLight.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/8/NotoSansCJKjp-DemiLight.ttf) format( truetype ); } @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight bold; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/13/NotoSansCJKjp-Medium.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/12/NotoSansCJKjp-Medium.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/11/NotoSansCJKjp-Medium.ttf) format( truetype ); 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The story below is originally published on Mainichi Daily News by Mainichi Shinbun (http //mdn.mainichi.jp). They admitted inventing its kinky features, or rather deliberately mistranslating them from the original gossip magazine. In fact, this is far from the general Japanese behavior or sense of worth. このページは、毎日新聞事件の検証のための配信記事対訳ページです。直接ジャンプして来られた方は、必ずFAQをお読みください。 ※ この和訳はあくまでもボランティアの方々による一例であり、翻訳の正確さについては各自判断してください。もし誤訳（の疑い）を発見した場合には、直接ページを編集して訂正するか翻訳者連絡掲示板に報告してください。 Long arm of the law launches lens up woman's skirt遠くまで及ぶ法の腕が、レンズを女性のスカートに上へと向ける 拡散状況 関連ページ Long arm of the law launches lens up woman s skirt 遠くまで及ぶ法の腕が、レンズを女性のスカートに上へと向ける 0 Long arm of the law launches lens up woman s skirt 2006,05,29 Shukan Asahi 6/2 By Ryann Connell 遠くまで及ぶ法の腕が、レンズを女性のスカートに上へと向ける 1 A Nara Prefectural Police sergeant went from hero to villain in seconds as his quick-thinking found a little boy an ambulance, but his too-quick-thinking ended up getting him arrested for filming up the skirt of the hurt child s mother as she looked after her son, according to Shukan Asahi (6/2). ある奈良県警巡査部長が、彼の機転により小さな少年に救急車を見つけてやったが、あまりに機転が利きすぎて、怪我をした子供の母が息子の世話をしているときにスカートの中を盗撮して逮捕されたという結果に終わり、あっという間にヒーローから悪党になった。週刊朝日(6/2)より。 2 Hideo Wada was the 49-year-old sordid sergeant who is accused of taking advantage of the stricken mother s worries so he could get a digital peep at her panties. 和田英生は、打ちひしがれた母親の心配に乗じて彼女のパンティーをデジカメ盗撮したことを非難されている、49歳の下劣な巡査部長であった。 3 "We got a call from one of the paramedics to come back to the ambulance and the mother of the hurt boy said, That cop is doing something weird. She handed over his digital camera to us," one of the ambulance drivers involved in the case tells Shukan Asahi. "I suppose it was a bit hard for her to tell us in front of her boy that the sergeant had been looking up her dress." 「私たちは救急医療師の一人から救急車に戻るよう呼ばれ、怪我をした少年の母親がいいました。『あの警官がおかしなことをしています』彼女は彼のデジカメを私たちに手渡しました」と、この事件と関わった救急車運転手の一人は週刊朝日に語る。 「巡査部長が彼女の衣服を覗いていたことを私たちに息子の前で語るのは、彼女にとっていささか酷だっのでしょう」 4 Nara Prefectural Police explain how Wada acted. 奈良県警はどのように和田が行動したか説明する。 5 "He had a palm-sized digital camera and he brazenly filmed from directly in front of the woman," a prefectural police spokesman says. 「彼は手のひらサイズのデジカメを持って、彼は厚かましくも女性の直接前から撮影しました」と県警のスポークスマンはいう。 6 Incredibly, even though caught in the act, Wada wasn t arrested for taking the filthy footage. 信じられないことに、現行犯で捕まったにもかかわらず、和田はみだらな映像を撮ったことで逮捕されなかった。 7 "Under the prefectural ordinance outlawing people from creating a public nuisance, the inside of an ambulance isn t regarded as being in public, nor as public transport. He couldn t have been arrested for that," the police spokesman says. 「人々に公共の迷惑を禁じる県条例のもとでは、救急車の内部は「公共の場所」にも「公共の乗り物」にも該当しません。 そのため彼は逮捕されませんでした」と警察のスポークスマンはいう。 8 It was only on a subsequent raid of Wada s home when investigators picked up his computer and found that it contained footage taken using hidden cameras of over 400 unsuspecting women. 捜査官が彼のコンピュータを押収して、それに隠しカメラを使って撮られた400人を超える怪しまない女性の映像がはいっていることを見つけたのは、その後ようやく和田の家宅が捜索されたときであった。 9 When just two of these photos were found to have been taken up a woman s skirt, it was enough justification to slap the salacious sergeant in cuffs. But he almost got away with it. The "public place" where he allegedly snapped the incriminating photos was the parking lot of a police station and the shots were taken during a police investigation into a car accident. Wada is alleged to have quickly taken the photos after instructing a woman who had been involved in the car crash to squat down and look at a scratched bumper bar. これらの写真のうち2枚だけが女性のスカートを覗いて撮られたことが見つかったことで、好色な巡査部長に手錠をかけることは十分正当であった。 しかし彼はもうすこしで処罰を逃れるところだった。 彼が有罪の原因となった写真を撮影したとされる「公共の場所」は、警察署の駐車場で、撮影は警察の自動車事故の調査の間に行われた。 和田は、自動車事故に巻き込まれた女性にしゃがんで傷ついたバンパーを見るよう指示した後、素早く写真を撮ったといわれている。 10 Wada admits to taking the sneaky shots, as the police spokesman elaborates. 警察のスポークスマンが詳しく述べるように、和田は隠し撮りしたことを認める。 11 "He told us he liked taking photos of women he fancied," the spokesman tells Shukan Asahi. "He had to have the digital camera to take photos of accident and crime scenes, but it seems most of the shots he really took were of women." (By Ryann Connell) 「彼は私たちに、好みの女性の写真を撮ることが好きだったと語りました」とスポークスマンは週刊朝日に語る。 「彼は事故と犯罪現場の写真を撮るためにデジカメを所持しなければならなかったのですが、彼が撮影したもののほとんどは女性のものだったようです」(ライアン・コネル記) 拡散状況 Barely 18 Movies http //www.barely18movies.com/blog/?p=252 Japundit 部分転載：http //blog.japundit.com/archives/2006/05/30/2616/ 英語サイト http //www.pantykin.com/forum/index.php?showtopic=2062 http //www.redtape.ru/forum/showthread.php?t=20083 http //referenceblog.canalblog.com/archives/2006/05/29/8942264.html 関連ページ Barely 18 Movies Japundit WaiWaiの記事を転載した英語サイト：P WaiWaiの記事を転載した英語サイト：R 毎日新聞英語版から配信された記事2006年